Durham Concerto for violin, cello, Northumbrian pipes, hammond organ and orchestra 协奏曲小提琴大提琴 管风琴管弦乐团 总谱 朔特版

音乐的总体灵感来源于对杜伦的印象，这种印象来自于两三次短暂的访问和对一段简短历史的阅读--因此是一种 "心中的杜伦"，一种风格化的杜伦；可以说是'我的'杜伦，音乐中的杜伦。不过，这首曲子的灵感来源于大教堂。2001 年，我第一次来到杜伦，站在皇宫绿地上张大了嘴巴，然后默默地敬畏地走进了大教堂。大部分主题都来自于我第一次体验这座非凡而又令人振奋的建筑之后的那段日子。我感觉到，这些石头和柱子本身就浸透了几个世纪以来的祈祷，浸透了人们的喜悦、悲伤、绝望，甚至愤怒、感激和希望。当曲调、和弦和声音开始在我的脑海中和手稿纸上组织起来时，我意识到我在写一种 "达勒姆生活中的一天"，而大教堂将是它的开头、中间和结尾。这幅作品由六幅'图片'组成，分为三个部分--这个想象中的达勒姆市的上午、下午和晚上。乔恩-洛德，2017 年

作曲家: Lord, Jon
编者: Mann, Paul
乐器: violin, cello, Northumbrian pipes, Hammond-organ and orchestra
出版社: Schott Music

曲目:
Part 1: Morning - I The Cathedral at Dawn - II Durham Awakes - Part 2: Afternoon - I The Road from Lindisfarne - II From Prebends Bridge - Part 3: Evening - I Rags and Galas - II Nocturne

原文简介:
The general inspiration for the music was an idea of Durham, garnered from two or three short visits and a reading of a short history – so a sort of “Durham of the mind”, a stylized Durham; ‘my’ Durham, if you will, imagined into music. However, the defining inspiration for the piece was the Cathedral. My first visit to Durham in 2001 saw me standing open-mouthed on Palace Green, and then in silent awe as I walked into that formidable magnificence inside. Most of the themes came from the days immediately following my first experience of this extraordinary, inspiring building. The feeling that the very stones and pillars themselves are imbued with centuries of prayer, with people’s joy, grief, despair, even anger; gratitude and hope. As the tunes and chords and sounds started to organize themselves in my mind and onto manuscript paper, I realized that I was writing a sort of “day in the life of Durham”, and that the Cathedral would be its beginning, would be in its middle, and would be at its ending. The piece consists of six ‘pictures’ arranged into three parts – the morning, afternoon and evening of this imaginary Durham city. Jon Lord, 2017