Drei Arien ohne Worte Versionen fu?r Viola und Klavier (Orgel) 巴赫约翰‧瑟巴斯提安 中提琴 中提琴加钢琴

作为巴洛克、古典和浪漫主义作品的编曲家，赫里伯特-布鲁尔声名鹊起。在他为巴赫的中提琴和管风琴改编的三首咏叹调中，Breuer 将 B 小调弥撒曲中著名的《阿格努斯笛伊》放在两首男高音咏叹调（选自圣歌 Ich bin ein guter Hirt BWV 85 和 Nun komm, der Heiden Heiland BWV 61）之间。每首乐曲都可以单独演奏。然而，两首牧歌以摇摆的 9/8 拍构成了中间乐章的框架，而中间乐章则以痛苦和十字架的音乐形象为特征，这表明这两首乐曲可以完整演奏。音调和音高与巴赫最初使用的相同"

作曲家: Bach, Johann Sebastian
编者: Breuer, Heribert
校订者: Breuer, Heribert
乐器: viola and piano (organ)
出版社: Simrock / Benjamin

曲目:
Seht, was die Liebe tut - Agnus Dei - Komm, Jesu, komm

原文简介:
Heribert Breuer has made a name for himself as an arranger of Baroque, classical and Romantic works. His sense of the special characteristics of each work shows in highly different instrumentations, and he knows how to present the work in an illuminating light thanks to his new arrangement.In his version of three arias for viola and organ by Bach, Breuer places the well-known Agnus Dei from the Mass in B minor right between two tenor arias (from the cantatas Ich bin ein guter Hirt BWV 85 and Nun komm, der Heiden Heiland BWV 61). Each of the pieces can be performed separately. The fact, however, that the two pastorals in a swinging 9/8 meter frame the middle movement which is characterized by musical figures of pain and cross, suggests a complete performance. The keys and pitches are the same as the original ones used by Bach.