Douze Études transcendentales 钢琴独奏 朔特版

廉-基尔迈耶（Wilhelm Killmayer）创作的这些练习曲与李斯特（Franz Liszt）高度精湛的《超凡演奏曲》（Études d'exécution transcendante）不同，"这些练习曲'刻意采用反虚拟的手法，没有色度，即使用七个音调，且主要分为两个部分'。(威廉-基尔迈耶）这十二首小品中的每一首都集中于一个作曲或技术方面。基尔迈耶对钢琴家的注意力、微妙的演奏色彩和有区别的发音提出了很高的要求。第七首小步舞曲的标题是'Im Schumann-Ton'（舒曼之音）--这是一首不加修饰的深情音乐，在调式上总是莫名其妙地'缺席'，让人难以捉摸"

作曲家: Killmayer, Wilhelm
乐器: piano
出版社: Schott Music
原文简介:
Unlike the highly virtuoso Études d’exécution transcendante by Franz Liszt,these études by Wilhelm Killmayer are written ‘in a deliberately anti-virtuosomanner, without chroma, i.e. with seven tones and largely in two parts’. (Wilhelm Killmayer)Each of the twelve pieces focusses on a single compositional or technical aspect. Diatonic scales, parallel thirds and major chords are combined with some technically very tricky passages.Killmayer makes great demands on the pianist’s concentration, subtly coloured performance and differentiated articulation. The seventh étude is given the title ‘Im Schumann-Ton’ – unforced heartfelt music, always somehow “absent” and unpredictable in its modulations.