Die Zauberflöte from Opera Transcriptions op. 45“ 莫扎特 魔笛歌剧 长笛加钢琴 齐默尔曼版

约阿希姆-安德森的长笛与钢琴歌剧改编曲作品 45，虽然是十九世纪资产阶级沙龙的典型产物，但却继承了其源远流长的传统，并在李斯特著名的钢琴改编曲中达到了无与伦比的顶峰。Potpourris 这种家庭音乐创作方式，往往是当时的资产阶级音乐爱好者了解和讨论当时著名音调诗人的重要或流行作品的唯一机会。(卡尔-约阿希姆-安德森（Carl Joachim Andersen，1847-1909 年）是当时最重要的、在国际上享有盛誉的长笛演奏家之一，晚年还担任指挥。他的许多长笛教学和独奏作品远远高于当时大量生产的演奏家和沙龙音乐的质量水平。这些作品显示出他是一位有品味、形式感强、精通和声的作曲家"

作曲家: Mozart, Wolfgang Amadeus
校订者: Andersen, Joachim / Richter, Werner
乐器: flute and piano
出版社: Musikverlag Zimmermann
原文简介:
Joachim Andersen's Operatic Transcriptions for Flute and Pianoforte, op. 45, though typical products of the bourgeois salons of the nineteenth Century, stand in a thoroughly respectable tradition whose origins reach far back into the past and which attained an unsurpassable culmination in the famous piano transcriptions of Franz Liszt. Potpourris, as this type of domestic music-making can be called, often gave bourgeois music lovers of the time their only opportunity to become acquainted with and to discuss important or popular works by prominent tone-poets of die day. (For further information see Count Gallenberg's Kleine Ballettmusik für zwei Flöten, available from the same publisher under the order number ZM 2625.)Carl Joachim Andersen (1847-1909) was one of the most important and internationally best regarded flautists of his day; in later years he also performed as a conductor. His numerous pedagogical and recital pieces for flute stand well above the qualitative level of the virtuoso and salon music being mass-produced at the time. These works reveal him to have been a composer with taste, a strong sense of form and a mastery of harmony.