Concerto in C Minor Viola and Piano 巴赫约翰．克里斯提安 中提琴协奏曲

亨利-卡萨德斯（Henri Casadesus）对早期乐器情有独钟，我们从他与中提琴d'amore的大量照片中可以了解到这一点，中提琴d'amore是他撰写的《Tecnique de la viole d'amour》手册的主题。Ut mineur协奏曲》于 1947 年由 Mica Salabert 首次出版。第一版提供了所谓的中提琴独奏 "原始 "部分以及乐谱，根据序言，乐谱由卡萨德斯改编为中提琴、大提琴或小提琴。然而，对这首曲子的风格分析以及在第一版问世后进行的一些音乐学研究表明，改编所依据的大提琴 "原版 "并不是约翰-克里斯蒂安-巴赫的作品，而是两百年后模仿巴赫风格创作的作品。尽管如此，《Ut mineur协奏曲》还是获得了相当大的成功，至今仍被小提琴家和大提琴家研究和演奏

作曲家: Bach Johann Christian
乐器: Viola;Piano Accompaniment
出版社: Salabert
原文简介:
Henri Casadesus was passionate about early instruments, as we know from a number of photographs showing him with viola d'amore, the subject of a manual he wrote entitled Tecnique de la viole d'amour. The Concerto en Ut mineur was first published in 1947 by Mica Salabert. The first edition gives the so-called “original” part for solo violocello together with the score which, according to the preface, has been adapted for viola or cello or violin by Casadesus. However, stylistic analysis of the piece, together with some musicological research carried out after the appearance of the first edition reveals that the “original” version for violoncello, onwhich the adaptation was supposed to be based, cannot be attributed to Johann Christian Bach, but is rather a work imitating his style written two centuries later. In spite of this, Concerto en Ut mineur encountered considerable success and continues to be studied and performed by both violinists and violoncellists today.