Concerto for Piano (Harpsichord) and Orchestra D Major Hob.XVIII:11 2 Pianos, 4 Hands 海登 协奏曲 大键琴 管弦乐团 双钢琴 亨乐版

与莫扎特相比，海登并不是一位键盘演奏家。他当然会用大键琴指挥管弦乐作品，也会演奏自己的钢琴奏鸣曲，但他的天性中并没有成为钢琴协奏曲演奏家的野心。因此，海登 "仅 "有三首钢琴协奏曲流传于世。D大调钢琴与乐队协奏曲》（Hob. XVIII）以其清新动听的旋律、细微的和声以及清晰的古典协奏曲结构而成为最常演奏的曲目。XVIII 是最常演奏的曲目。尽管这首协奏曲备受瞩目，但我们既不知道它的创作背景，也不知道它的创作年份。我们的钢琴缩写版序言详细阐述了这些问题。该版本以海登全集的音乐文本为基础，海登全集同样由 G. Henle 出版社出版"

作曲家: Joseph Haydn
校订者: Horst Walter
乐器: Piano Duet; 2 Pianos, 4 Hands
出版社: Henle Urtext Edition

曲目:
Haydn: Concerto for Piano (Harpsichord) and Orchestra D major Hob. XVIII:11

原文简介:
In contrast to Mozart, Haydn was not a keyboard virtuoso. He certainly conducted his orchestra works from the harpsichord, and also performed his own piano sonatas, but any ambition to be a concertizing pianist was foreign to his nature. Thus “only” three piano concertos by Haydn have come down to us. Owing to its catchy, fresh melodies, its harmonic nuances and its clear classical concerto architecture, the Concerto for piano and orchestra in D Major Hob. XVIII is the most frequently played. In spit of its high profile we know neither the occasion for which it was written nor the year of its composition. The preface to our piano reduction edition deals with these questions in detail. The edition is based on the musical text of the Haydn Complete Edition, which is likewise published G. Henle Publishers.