Cello Sonata in C Major, Op. 102, No. 1 Cello and Piano 贝多芬 奏鸣曲 大提琴(含钢琴伴奏) 亨乐版

作于 1815 年的两首奏鸣曲作品 102 标志着贝多芬晚期风格向朴素音色的过渡。原版的一位评论家在 1818 年指出，这两首奏鸣曲 "无疑是贝多芬长期以来创作的最不寻常、最奇特的作品之一"。从既定的古典模式出发，贝多芬在这里探索了改变和扩展奏鸣曲形式的可能性，这使得作品 102 成为其大提琴作品的巅峰之作。在《C大调奏鸣曲》中，贝多芬在曲式结构中加入了不同寻常的元素：两个快板乐章，每个乐章之前都有一个慢板的简短引子--这是一种特立独行、独一无二的形式结构。延斯-杜夫纳（Jens Dufner）的Urtext版本是基于他对《贝多芬全集》评论报告的研究，因此具有最高学术水平的音乐文本。在序言和评论报告中，他概述了这首奏鸣曲的起源和来源情况。伊恩-福泉（Ian Fountain）和戴维-格林加斯（David Geringas）提供了指法"

作曲家: Ludwig van Beethoven
校订者: Jens Dufner
乐器: Cello; Piano Accompaniment
出版社: Henle Urtext Edition
原文简介:
Written in 1815, the two Sonatas op. 102 mark the transition to the often austere sonorities of Beethoven's late style. One reviewer of the original edition noted in 1818 that they “doubtless number among the most unusual and peculiar things written in a long while.” Proceeding from the established Classical schema, here Beethoven explores possibilities for changing and expanding sonata form, which make Opus 102 the capstone of his cello oeuvre. In the Sonata in C-major, unusual elements emerge in the very structure: two fast movements, each preceded by short introductions at a slow tempo - an idiosyncratic, unique formal construction. The Urtext edition by Jens Dufner is based on his research for the Critical Report of the Beethoven Complete Edition and thus features a musical text at the highest scholarly level. In the preface and Critical Report, he outlines the genesis and source situation of the sonata. Ian Fountain and David Geringas provide the fingerings.