Cello Sonata in A Major, Op. 69 Cello and Piano 贝多芬 奏鸣曲 大提琴(含钢琴伴奏) 亨乐版

在贝多芬的五首大提琴奏鸣曲中，1809 年出版的作品《大奏鸣曲》（Grande Sonate op. 在贝多芬的五首大提琴奏鸣曲中，发表于 1809 年的作品 69《大奏鸣曲》不仅是最重要的作品，在音乐上也是最重要的作品。两件乐器的巧妙结合从一开始就以一种近乎程序化的方式展现出来，大提琴以其男高音的音色首先奏出一段旋律，然后钢琴继续演奏。在这首奏鸣曲中，贝多芬还取消了慢板乐章，但在终曲的引子部分，却以一段迷人的Adagio Cantabile作为补偿。延斯-杜夫纳（Jens Dufner）的Urtext版本是基于他对《贝多芬全集》评论报告的研究，因此具有最高学术水平的音乐文本。在序言和评论报告中，他概述了这首奏鸣曲的起源和来源情况。伊恩-福泉（Ian Fountain）和戴维-格林加斯（David Geringas）提供了指法"

作曲家: Ludwig van Beethoven
校订者: Jens Dufner
乐器: Cello; Piano Accompaniment
出版社: Henle Urtext Edition
原文简介:
Of Beethoven's five cello sonatas, the Grande Sonate op. 69, published in 1809, is not only the centerpiece, but also musically the most significant. The artful coupling of the two instruments is on display from the outset in an almost programmatic manner, when the cello with its tenor timbre first intones a melody that the piano then continues. In this sonata, too, Beethoven dispenses with a slow movement while nevertheless compensating us with an enchanting Adagio cantabile introduction to the finale. The Urtext edition by Jens Dufner is based on his research for the Critical Report of the Beethoven Complete Edition and thus features a musical text at the highest scholarly level. In the preface and Critical Report, he outlines the genesis and source situation of the sonata. Ian Fountain and David Geringas provide the fingerings.