Capriccio In cor più non mi sento M.S. 44 Violin Solo 帕格尼尼 随想曲 小提琴

帕格尼尼为小提琴独奏创作的随想曲《In cor più non mi sento》（M.S. 44）是一部几乎无人知晓其原始形式的作品。第一乐章（安魂曲）是根据派塞罗主题的变奏曲（用两根五线谱记谱，以区分弓法和拨弦效果）；而第二乐章（快板）则是演奏者的变奏曲。与卡尔-古尔（Carl Guhr）为尼科洛-帕格尼尼（Nicolo Paganini）的单人中提琴创作的题为 "Nel cor più non mi sento "主题的引子与变奏曲的版本相比，这首曲子的名气要小得多。古尔的版本没有现存的原始资料，但已多次出版。它比最初的随想曲要长得多，变化也更多，后者通常被认为是长篇作品的 "初稿"。古尔的版本在很多方面都盖过了帕格尼尼的版本，以至于后者作品的原创性及其作为独立作品的完整性没有得到足够的重视"

作曲家: Nicolo Paganini
校订者: Italo Vescovo
乐器: Violin
出版社: Ricordi
原文简介:
Paganini's Capriccio “In cor più non mi sento” M.S. 44 for solo violin is a work that is practically unknown in its original form consisting of two movements, respectively Andante and Presto. The first (Andante) is a variation based on Paisello's theme (notated on two staffs to differentiate the bowed and pizzicato effects); while the second (Presto) is a virtuosic variation. It is much less famous than Carl Guhr's version, entitled Introduction et Variations sur le Thème “Nel cor più non mi sento” pour le violon seul de Nicolo Paganini which he included in his “treatise.” Guhr's version, for which we have no surviving original source, has been published repeatedly. It is much longer and has got many more variations than the original Capriccio, the latter often considered a kind of “first sketch” of the longer work. Guhr's version has, in many ways, overshadowed Paganini's, so that the originality of the latter's composition and its integrity as a self-standing piece have not been sufficiently appreciated.

The present critical edition is based upon an autograph manuscript found in the Berlin Staatsbibliothek. It is compared to both the Zimmermann edition (1960), rather unreliable from a philological point of view; and the “Tema” and “Settima variazione” (which “correspond” to the two movements of the Capriccio) from B. Schott's Söhne (1829) edition.