Cadenzas to the Concerto for Trumpet and Orchestra Eb major by Joseph Haydn 彭德瑞兹基 装饰乐段 协奏曲小号管弦乐团大调 小号独奏 朔特版

古典晚期，作曲家开始希望确定独奏协奏曲快板中的每一个音符，而不是留给独奏家的演奏灵感。潘德列茨基为海登著名的小号协奏曲所写的快板就继承了这一传统，但现代作曲家的创作意愿使其范围更为广泛。潘德列茨基的风格手法让独奏者有充分的机会展示自己的精湛技艺。海登协奏曲各乐章的原始音符作为基本框架依然存在。在快板中加入圆号部分，形成了一种高度结构化的形式，展示了古典时期的小号协奏曲在现代作曲技术下的反映"

作曲家: Penderecki, Krzysztof
乐器: trumpet
出版社: Schott Music
原文简介:
In the late classical period composers began to want to determine every note in the cadenzas of solo concertos, rather than leaving this as a matter for the soloist’s virtuoso inspiration. Penderecki’s cadenzas for Haydn’s celebrated trumpet concerto are written in this tradition, but the creative will of the modern composer makes them far wider in scope. Penderecki’s stylistic methods leave the soloist every opportunity to display their virtuoso skills. The original notes of Haydn’s concerto movements remain present as an underlying framework. Having the horn parts worked into the cadenzas produces a highly structured form that shows the trumpet concerto of the Classical period reflected in the light of modern composition techniques.