Black Earth op. 8 (Kara Toprak) 赛伊．法佐 钢琴独奏 朔特版

黑土地》的灵感来自土耳其的一首流行歌曲 Kara Toprak。这首歌的作曲家阿斯克-韦塞尔（As?k Veysel，1891-1973 年）是土耳其最后一位伟大的民谣歌手，也是土耳其千年传统的最后一环。随后，他开始学习弹奏土耳其琵琶萨兹（Saz）和学习诗歌，最初只是为了自娱自乐。他结识了许多民间诗人，1928 年后，他还带着自己的歌曲走村串户。在歌曲《卡拉-托普拉克》（Kara Toprak）中，韦塞尔描述了孤独和失落。在《黑土地》的引子和尾声中，法兹尔-扎伊尔（Faz?l Say）通过选择低音效果模仿了萨兹琴的声音--这是一首关于民谣主题的冥想曲。相反，民谣、浪漫主义钢琴风格和爵士乐在中心部分交织在一起，形成了大规模的爆发。法兹尔-扎伊尔在古典音乐会和爵士音乐节上都演奏过这部作品：特别是在民俗部分，他运用了民俗音乐和爵士乐所固有的即兴自由

作曲家: Say, Faz?l
乐器: piano
出版社: Schott Music
原文简介:
Black Earth was inspired by Kara Toprak, a popular song in Turkey. The composer of the song, As?k Veysel (1891-1973), was one of the last great Turkish balladeers and the final link in a thousand-year tradition.Veysel went blind during childhood following an attack of smallpox. He subsequently began to learn to play the Saz, a Turkish lute, and to study poetry, initially for his own amusement. He made acquaintance with a variety of folk poets, and, after 1928, also travelled from village to village with his songs. Through the years, he became a cultural symbol of the Turkish Republic.In the song Kara Toprak, Veysel describes loneliness and loss. All that remains is the Black Earth, the colour of the landscape in his native town of Sivas.Faz?l Say imitates the sound of the Saz through his selection of a muted effect in the Introduction and Epilogue of Black Earth - a meditation on the themes of a ballad. In contrast, folklore, Romantic piano style and jazz are entwined in the central sections to form a large-scale outburst. Faz?l Say performs this works in both concerts of classical music and a jazz festivals: particularly in the folkloristic sections, he employs the improvisatory freedom which is inherent to both folk music and jazz.