Belle of the Ball for Band 管乐团 套谱

与里洛伊-安德森的大多数作品一样，《舞会蓓蕾》轻快、活泼，没有冲突或不和谐。安德森认为这首曲子是维也纳华尔兹传统在现代美国的复兴或振兴。尽管如此，主旋律听起来与施特劳斯的华尔兹颇为不同，但柴可夫斯基的声音却在其俏皮、梦幻般的特征中显露无遗。旋律富有节奏感，以短音符组的形式出现，从两个音符开始，然后是三个音符，接着进一步扩展；音乐优雅地滑行。中间部分是主题的一个令人愉悦的变奏，安德森轻柔的音色传递出一种俏皮的天真。马克-罗杰斯（Mark Rogers）独家制作的这一南方乐队版本将安德森迷人的作品重新呈现给新一代听众"

作曲家: Leroy Anderson
乐器: Concert Band
出版社: Southern Music Co.
原文简介:
Like most of Leroy Anderson's efforts, Belle of the Ball is light, effervescent, and devoid of conflict or disharmony. Anderson looked upon the piece as a modern-day American revival -- or revitalization -- of the Viennese waltz tradition. Having said that, the main theme sounds rather unlike a Strauss waltz, but the voice of Tchaikovsky is evident in its playful, fantasy-like character. The melody is rhythmic and comes in short groups of notes, beginning with two notes, then three, then expanding further; the music skates along elegantly. The middle section features a delightful variation on the theme, in which Anderson's gentle-belled sonorities impart a playful innocence. This exclusive Southern band edition by Mark Rogers reintroduces Anderson's enchanting work to new generations of audiences.