Avant-dernières Pensées 萨悌 钢琴 亨乐版

萨蒂以一种典型的幽默方式，用他的 "下一个想法"（"Avant-dernières Pensées"）反驳了大师 "最后一个想法 "的神话。与萨蒂 1912 年以后的钢琴作品一样，这三首风格迥异、音色敏感的钢琴作品中的每一首都包含一个简短的奇思妙想的故事，作为潜台词印在音乐文本中，或多或少地与音乐紧密相连。萨蒂将他的 "最后的思绪 "献给了同时代的著名音乐家： 克劳德-德彪西（为 1 号 "Idylle"），他与德彪西是挚友；保罗-杜卡斯（为 2 号 "Aubade"，英文为 "Dawn Serenade"），他非常欣赏杜卡斯的音乐；阿尔贝-鲁塞尔（为 3 号 "Méditation"），他曾在巴黎 Schola Cantorum 学习对位法的老师"

作曲家: Erik Satie
校订者: Ulrich Krämer
乐器: Piano/Keyboard
出版社: Henle Urtext Edition
原文简介:
In a typically humorous manner Satie countered the myth of the great master's “last thought” with his “Next-to-last thoughts” (“Avant-dernières Pensées”). As was usual with his piano works from 1912 onwards, each of the three highly distinctive pieces with their sound sensitive piano settings contained a short whimiscal story printed in the musical text as a subtext, which is more or less closely connected with the music. Satie dedicated his “Next-to-last thoughts” to prominent contemporaries: Claude Debussy (for no. 1 “Idylle”), with whom he was close friends; Paul Dukas (no. 2 “Aubade,” in English “Dawn Serenade”), whose music he greatly admired; and Albert Roussel (no. 3 “Méditation”), his former teacher of counterpoint at the Schola Cantorum in Paris.