Atmospheres 李盖悌 总谱 环球版

Atmosphères》颠覆了西方古典音乐的所有传统分类。它完全没有可辨认的旋律，和声被简化为饱和半音簇的漂移，脉搏--或任何正常的节奏衔接感--完全不存在。尽管在作品结尾处出现了重奏的幽灵，但所有惯用的结构标志以及与标准形式的任何关系也都不见了。取而代之的是一连串慢动作的纹理，一种渗入另一种，乐器的音色似乎更像电子音乐的溶解和嗡嗡声，而不是普通交响乐团的音色。尽管里盖蒂的视角具有惊人的原创性，甚至可以说是彻底的原创性，但我们还是可以看出一些微小的影响痕迹--也许是德彪西，也许是理查德-施特劳斯，也许是巴托克。(乔治-本雅明）

作曲家: Ligeti, György
乐器: for orchestra
出版社: Universal Edition
原文简介:
Atmosphères famously overturns all traditional categories of Western classical music. There is absolutely no discernible melody, harmony is reduced to the drifting of saturated chromatic clusters, and pulse - or any sense of normal rhythmical articulation - is entirely absent. All habitual structural sign-posts are also missing as is any relationship to standard forms, despite the ghost of a recapitulation towards the work's end. Instead the listener is confronted with a slow-motion succession of textures, one oozing into the other, where the instrumental sonority seems to have more in common with the dissolves and hums of electronic music than that of a normal symphony orchestra. Tiny traces of influence can just be discerned - perhaps Debussy, a little Richard Strauss, certainly Bartok - though Ligeti's vision is of startling, indeed radical, originality. (George Benjamin)