Aria (book/download Card Al30688) 咏唱调

欧仁-博扎（Eugène Bozza，1905-1991 年）的父亲是意大利人，母亲是法国人，他在罗马圣塞西莉亚学院和巴黎音乐学院学习音乐，师从亨利-布瑟（Henri Büsser）和亨利-拉博（Henri Rabaud）。他的室内乐作品明显偏爱管乐器，如为双簧管和钢琴创作的《牧歌幻想曲》（Fantaisie pastorale，1939 年）和为低音萨克斯管和钢琴创作的《新奥尔良》（New-Orléans，1944 年）。几年前（1936 年），博扎在罗马美第奇别墅逗留期间，写下了《中音萨克斯管与钢琴咏叹调》（Aria Pour Saxophone Alto Et Piano），该曲自由改编自约翰-塞巴斯蒂安-巴赫（Johann Sebastian Bachs）的《F 大调管风琴牧歌》（BWV 590）第三乐章。这首旋律宽广而怀旧，在正拍上展开，已成为世界上最广泛演奏的萨克斯风作品之一。在取得如此巨大成功之后，Éditions Leduc 决定为其再版补充一个音讯版本，以便萨克斯管演奏者进行全面练习

作曲家: Eugène Bozza
出版社: Alphonse Leduc

曲目:
Aria

原文简介:
“Born to an Italian father and a French mother, Eugène Bozza (1905-1991) divided his music studies between the Academia Santa Cecilia in Rome and the Conservatoire de Paris, where he was taught by Henri Büsser and Henri Rabaud. His chamber music compositions reveal a marked predilection for wind instruments, as reflected in Fantaisie pastorale for oboe and piano (1939) and New-Orléans for bass saxhorn and piano (1944). During his stay a few years earlier at the Villa Medici in Rome (1936), Bozza had written his Aria Pour Saxophone Alto Et Piano a free adaptation of the third movement of Johann Sebastian Bachs Organ Pastorale in F major BWV 590. This expansive and nostalgic melody, which unfolds over a regular meter, has become one of the most widely played SaxoËphone pieces in the world. Having enjoyed such success, Éditions Leduc has decided to supplement its republication with an audio version that will enable saxoËphonists to carry out full-scale practice.”