Adagio and Fugue D minor Falck 65 巴赫威廉‧弗利德曼 慢板复格曲小调 长笛加管弦乐团 朔特版

然布拉赫沃格尔（A.E. Brachvogel）在其关于巴赫的传记中对这位 "失败的天才 "进行了描绘，对这位巴赫长子的内心动荡描绘得淋漓尽致，但这对理解他的音乐却毫无益处。然而，传说往往或大多包含着真理的内核：毫无疑问，这位极具天赋的音乐家失败了，因为他的父亲（作为作曲家）以身作则，尤其是他正处在从一个时代迈向另一个时代的门坎上。"在序曲中，长笛的两个声部都高于弦乐队，其表现手法已经可以与感伤时代联系起来，而第二乐章，一首或多或少有些严格的弦乐赋格曲，则植根于注重传统的巴洛克时期

作曲家: Bach, Wilhelm Friedemann
编者: Lebermann, Walter
乐器: 2 Flutes and String Orchestra
出版社: Schott Music
原文简介:
Though A.E. Brachvogel’s portrayal of the failed genius“ in his biography about W.F. Bach drew an impressive picture of the inner turmoil of the eldest Bach son's personality, it is rather unproductive for the understanding of his music. However, legends often or mostly contain a core of truth: There is no doubt that the highly gifted musician failed because of the overwhelming example of his father (as composer) particularly since he was on the threshold from one epoch to another.In the adagio, both flute parts rising above the string orchestra are assigned a quality of expression that can already be related to the sentimental age whereas the second movement, a more or less strict string fugue, is rooted in the tradition-conscious baroque period.