7 Piano Pieces in Fughetta Form, Op. 126 舒曼‧罗伯特 钢琴 小品 亨乐版

面对失败，舒曼在杜塞尔多夫期间再次转向作曲。他创作了许多新作品，其中也包括钢琴作品，而在他最初几年的创作生涯中，他只写过几首钢琴作品。当时，巴赫的音乐在舒曼家中扮演着重要的角色；舒曼再次转向巴洛克形式也反映了这一点。不过，他希望自己的赋格曲能被理解为 "人物小品，只是形式更加严格"。以赋格形式创作的钢琴小品》作品 126，出版于 Henle 出版社。亨勒目录中首次出版的 "赋格形式钢琴曲 "作品 126 将严格的形式要求与浪漫的表现手法巧妙地结合在一起"

作曲家: Robert Schumann
校订者: Ernst Herttrich
乐器: Piano
出版社: Henle Urtext Edition
原文简介:
In response to failures, Schumann once again turned more to composing during his time in Düsseldorf. He wrote many new works – also ones for the piano for which he had only written a few pieces after his first years of composing. Bach's music played an important role in the Schumanns' house at the time; this is mirrored in the fact that Schumann turned to baroque forms again. However, he wanted his fugues to be understood as “character pieces, just in stricter form.” The “Piano Pieces in Fughetta Form” op. 126, published in the Henle catalog for the first time, unite the strict formal demands with romantic expression in a masterly manner.