36 Melodious and Easy Studies op. 84 丹克拉 中提琴练习曲 朔特版

查尔斯-丹克拉（Charles Dancla，1817-1907 年）被认为是法国小提琴学派的最后一位杰出代表。他是作曲家、巴黎歌剧院小提琴独奏家、巴黎音乐学院教授，创作了大量小提琴教育作品，包括著名的三卷本作品《旋律小学校》。他以独特的方式将 "没有技巧就没有音乐，没有音乐就没有技巧 "的原则贯彻到教材中。他的简易旋律练习曲作品 84 便是如此，这也是他首次为中提琴编曲。这些练习曲非常适合二年级以后的年轻初学者，也适合成年演奏者、假初学者或乐器转换者。它们中的大多数都可以有效地用作小型演奏曲目，为每首高级练习曲或音乐会曲目打下良好的基础。每首练习曲之前都有新的或修改过的练习，这些练习要么是针对与演奏技巧有关的具体问题，如换弦、连奏、马特莱、半音阶、换把位、八度或双音句号，要么是以一种浓缩的、俏皮的形式介绍相应练习曲的音色材料

作曲家: Dancla, Charles
编者: Mueller-Runte, Julia / Mueller-Runte, Martin
乐器: viola
出版社: Schott Music
原文简介:
Charles Dancla (1817-1907) is considered to be the last great representative of the French Violin School. He was a composer, solo violinist at the Paris Opera and professor at the Paris Conservatoire and wrote numerous educational works for violin, including his well-known three-volume work Little School of Melody'. He knew, in a unique way, how to implement the principle 'no music without technique, no technique without music' in his teaching material. This is the case in his easy melodic studies Op. 84 which are available here in an arrangement for viola for the first time. These studies are perfectly suited for young beginners after the second year, but also for adult players, false beginners or those switching instruments. Most of them can be effectively used as little performance pieces, providing an excellent foundation for every advanced étude or concert piece. Each study is preceded by new or revised exercises which either deal with specific problems relating to the playing technique, like change of string, spiccato, martelé, chromaticism, change of position, octaves, or double stops, or present the tonal material of the respective study in a condensed, playful form.Those who prefer Dancla's somewhat easier original preliminary exercises will find them in the appendix.A little dictionary of the musical and technical terms in this volume shall make their meaning accessible to young players in particular.