1. Symphonie Versuch eines Requiems 哈特曼．卡尔 交响曲 安魂曲 总谱 朔特版

卡尔-阿玛迪斯-哈特曼于 1935/36 年创作了他的第一部交响曲。当时，他还是一个默默无闻的音乐家，其作品没有机会被演奏，在他的祖国德国也没有希望得到鼓励。他足足等了十多年，才终于在温弗里德-齐里格（Winfried Zillig）的指挥下，于 1948 年春在法兰克福首次公演。当时我 21 岁，这部作品给我留下了极为深刻的印象，这标志着我开始欣赏哈特曼的音乐及其特殊的知性，这让我觉得它既重要又有意义：我指的是它自发的、未经折射的直接性，它的诚实和直率--这些质量超越了这位作曲家的作品，影响了他周围的所有人，包括他的同胞。此外，哈特曼的所有作品都包含了作曲艺术的一个基本要素，即艺术家表达自我的强烈需求与他所选择的乐器资源之间的精确对应。一个肤浅的听众也许一开始不会注意到，哈特曼创造出的庞大管弦乐设备与他强大的表现力和丰富多彩的修辞特点完全吻合。此外，这位德国南部人还具有广阔的视野和充满活力的身体，他能够将自己的内向感与瞬间的美感和神圣的宏伟感结合起来。这种结合反映了他自己的南德乡村生活，满足了他对人性坚定信念所支撑的交流需求： 汉斯-维尔纳-亨泽，《哈特曼：诗集》

作曲家: Hartmann, Karl Amadeus
乐器: altovoice and orchestra
出版社: Schott Music
原文简介:
Karl Amadeus Hartmann wrote his first symphony in 1935/36. At that time he was still an unknown musician whose works stood no chance of being performed and who could not hope to find encouragement in his native Germany. He had to wait more than ten years for its first performance, which finally took place in Frankfurt in the spring of 1948 under the direction of Winfried Zillig. I was 21 at the time, and the work left an extraordinarily deep impression on me, an impression that marked the beginning of myadmiration for Hartmann's music and its very special kind of intellectuality, which struck me as both important and significant: by this I mean its spontaneous and unrefracted immediacy, its honesty and straightforwardness – qualities that extend beyond this composer's works and affect his whole surroundings, including his fellow human beings. All Hartmann's works, moreover, contain an essential element of the art of compostion, namely, an exact correspondence between the artist's insistent need to express himself and the instrumental resources that he chooses. A superficial listener might perhaps fail to notice at first that the huge orchestral apparatus that Hartmann conjures up exactly matches his powerful expressivity and the colourful nature of his rhetoric. There is also the expansiveness and physically charged vitality of the native of southern Germany, a man capable of combining his own sense of inwardness with the beauty of the moment and a feeling of hymnic grandeur. It is a combination that reflects his own south German countryside and that answers a need to communicate sustained by his own unwavering faith in humanity.- Hans Werner Henze, in: Hartmann: Kleine Schriften