Symphonie Fantastique 白辽士 幻想交响曲

《幻想交响曲》的副标题是'艺术家生活中的插曲'，它以自传体的形式讲述了柏辽兹对爱尔兰女演员哈丽雅特-史密森（Harriet Smithson）的迷恋。柏辽兹阅读托马斯-德-昆西（Thomas de Quincey）的《一个英国鸦片吸食者的自白》（Confessions of an English Opium Eater）对交响乐产生了另一个重大影响。这很可能在他梦中的爱人身上引入了某种梦魇般的特征。她在音乐中被称为 "固定的意念"（idee fixe），在整部交响曲中以多种不同的形式出现，成为一个统一的元素。作品的五个乐章分别描述了作曲家激情的不同方面，既有浪漫和反思，也有花哨和庸俗。幻想交响曲》是浪漫主义想象力的最高典范"

作曲家: Berlioz Hector
出版社: Alfred Music
风格: Masterwork
原文简介:
The Symphonie Fantastique was sub-titled 'Episode in the life of an artist,' and it deals autobiographically with Berlioz's overwhelming infatuation with an Irish actress, Harriet Smithson. Another major influence on the symphony was Berlioz's reading of Thomas de Quincey's Confessions of an English Opium Eater. This may well have introduced a certain nightmarish character into his dreams of his beloved. She is represented by a musical 'idee fixe' which occurs in many different guises throughout the symphony and which provides a unifying element. Each of the work's five movements describes different aspects of the composer's passion, from the romantic and reflective to the garish and vulgar. The Symphonie Fantastique is a supreme example of the romantic imagination in action.