Concerto for Orchestra Music for Strings, Percussion and Celesta 巴尔托克 管弦协奏曲 弦乐击乐器钢片琴

管弦乐协奏曲》是作曲家的最后一部作品。1943年，库塞维茨基音乐基金会为纪念杰出指挥家谢尔盖-库塞维茨基的妻子娜塔莉而委约创作，1944年12月由库塞维茨基领导的波士顿交响乐团首演。这部作品展现了乐团不同声部的精湛技艺，使用了质感和动态对比的手法，因此其标题也名副其实。巴托克自己曾写道，这部作品从第一乐章的严厉逐渐过渡到第三乐章的死亡之歌，再到最后的生命重现。第二乐章通过在不同和声音程中处理成对的乐器来改变这一进程，这是一个轻松愉快的间奏"

作曲家: Bartok Bela
出版社: Alfred Music
风格: Masterwork
原文简介:
The Concerto for Orchestra is among the composer's last works. It was commissioned by the Koussevitzky Music Foundation in 1943 in memory of the distinguished conductor Sergey Koussevitzky's wife, Nathalie, and received its first performance by the Boston Symphony Orchestra under Koussevitzky in December 1944. The work displays the virtuoso talents of different sections of the orchestra, using devices of textural and dynamic contrast, thus justifying its title. Bartok himself wrote of the gradual transition of the work from the severity of the first movement, to the third, with its song of death and to the finale with its reassertion of life. The second movement varies this progress by treating pairs of instruments in different harmonic intervals, a light-hearted interlude.