Jazz Voicings for Piano: The Complete Linear Approach Part I: The "Drop Two" Harmonic Technique 爵士音乐 钢琴

爵士音域：爵士和声：完整的线性方法》专为爵士钢琴家设计，旨在拓宽他们的爵士和声知识，培养掌握标准曲调和爵士器乐中的和声进行的实用技能。本教程专为业余或专业爵士乐钢琴家而设计，将循序渐进地引导您掌握线性和声法的所有基本要素。第二部分：声部引导、音阶和和弦进行从线性而非垂直的角度来学习爵士和声。和弦（和声）不是被简单地视为单个和弦的连续，而是被视为多层次的线条，它们按照声部引导和对位的规则以互补的方式相互作用。有了这些知识，爵士钢琴家就能更好地找到非常规的和声替换，创造出有趣的和弦声部，并以轻松而富有创造性的方式实现标准曲调和爵士器乐中最复杂的和弦行进。这些章节包括爵士八度规则、和声工具箱、和声网格、蓝调，最后是你应该知道的爵士进行。每章都包括一个练习部分，其中包含精心设计的和声练习，以独特有趣的方式利用和补充每章的内容"

作曲家: Dariusz Terefenko
乐器: Keyboard/Piano
出版社: Advance Music
难度: Intermediate;
风格: Jazz
原文简介:
Jazz Voicings: The Complete Linear Approach is designed for jazz pianists seeking to broaden their knowledge of jazz harmony and to cultivate practical skills for mastering the harmonic progressions found in standard tunes and jazz instrumentals. Created for amateur or professional jazz pianists, this path takes you step-by-step through all essential aspects of the linear approach. Part I: The "Drop-Two" Harmonic Technique begins with the simple process of dropping the second note from a close-position chord down an octave to create an open-position voicing. Making an analogy between language and music, natural languages contain a lexicon of words that allow people to communicate their thoughts and feelings to others, music (jazz) harmony contains a lexicon of chords that allow jazz musicians to communicate. Part I defines these rules and clearly explains how to use them with a distinctive approach to voice leading, dissonances treatment, and counterpoint, which are logical extensions of the syntax of jazz harmony. The chapters are: "Four-Part Chords," "Inverted Chords," "Five-Part Chords," "Rootless Chords," and finishing with "Six-Part Chords" and "Incomplete Chords." The concluding Exercise Section contains carefully-designed harmonic drills that utilize and complement the content of each chapter in unique and interesting ways.