The Musical Offering and The "Goldberg Variations" 巴赫约翰‧瑟巴斯提安 音乐的奉献 郭德堡变奏曲

音乐祭》的创作源于巴赫对柏林腓特烈二世宫廷的一次访问，当时腓特烈二世的儿子卡尔-菲利普-伊曼纽尔（Carl Philip Emmanuel）担任宫廷音乐总监。国王（他本人是一位长笛作曲家）给了巴赫一个适合创作赋格曲的主题。巴赫立即将其发展为三部曲式赋格。后来，巴赫用自己的主题和赋格发展了这一主题，并将这部作品献给了国王（Opfer--献祭）。作品中的乐器大多没有标明，而是由演奏者自行决定。戈德堡变奏曲》创作于 1742 年，以巴赫的学生约翰-戈特利布-戈德堡（Johann Gottlieb Goldberg）的名字命名。这位伯爵患有失眠症，戈德伯格用音乐让他放松入睡。戈德伯格委托巴赫创作了这首《咏叹调与 30 变奏曲》。因此，我们将这部最伟大的变奏曲作品归功于一位贵族的生理缺陷"

作曲家: Bach Johann Sebastian
乐器: Piano
出版社: Alfred Music
风格: Masterwork
原文简介:
The Musical Offering dates from a visit of Bach to the court of Frederick II in Berlin, where his son Carl Philip Emmanuel was Court-Kapellmeister. The King (himself a composer maily for flute) gave Bach a theme suitable for a fugue. This was at once elaborated by him into a 3 part fugue. Later on Bach developed this with his own themes and fugues and dedicated the work to the King(Opfer---Offering). The instruments are mostly not indicated and left to players to decide upon. The Goldberg Variations date from 1742 and were named after Bach's pupil Johann Gottlieb Goldberg who was a chamber musician to one Count Keyserling. The count suffered from insomnia and had Goldber relax him with music to fall asleep. Goldberb commissioned the Aria with 30 Variations from Bach. Thus we owe this most magnificant of variation-works to an aristocrat's physical failing.