Rhythm and Movement Applications of Dalcroze Eurhythmics 节奏 乐章 节奏

在音乐的三大要素--节奏、旋律与和声--中，节奏受到理论家的关注最少，但毫无疑问，节奏是基本要素，没有节奏就没有音乐艺术。这就是本书的第一句话，用身体来表现音乐节奏。艾尔莎-芬德利（Elsa Findlay）是达尔克罗兹大师埃米尔-雅克-达尔克罗兹（Emile-Jaques Dalcroze）的学生，也是达尔克罗兹大师本人的学生。其中包括舞蹈和戏剧学校、学院和大学，以及克利夫兰音乐学院，该学院是最早提供主修电子节奏的音乐学士学位的学院之一。每一章都集中于节奏的不同阶段：速度、动力、持续时间、韵律模式、语言和节奏模式、乐句和形式、音高和旋律以及创造性表达。每个阶段的活动都有详细的概述，并配有迷人的图画和照片。附录提供了有关练习、游戏、动作歌曲和合适音乐的进一步建议"

作曲家: Elsa Findlay
出版社: Alfred Music
原文简介:
Of the three elements of music---rhythm, melody, and harmony---rhythm has received the least attention from the theorists, yet it is indisputably the basic element without which there is no musical art. Such is the first sentence of this book on use of the body to express musical rhythm. Elsa Findlay is eminently qualified to write on this subject, having been a student of Emile-Jaques Dalcroze, the master himself, and also from her own experience in a variety of teaching situations. These included schools of dance and theater, colleges and universities, and The Cleveland Institute of Music, one of the first to offer a BMus degree with a major in eurhythmics. Each chapter concentrates on a different phase of rhythm: tempo, dynamics, duration, metrical patterns, speech and rhythm patterns, phrase and form, pitch and melody, and creative expression. Activities for each phase are outlined in detail and illustrated by charming drawings and photos. Appendices furnish further suggestions for exercises, games, action songs, and suitable music.