The Barber of Seville 塞维亚的理发师 骑熊士版

本研究乐谱基于帕特里夏-布劳纳（Patricia B. Brauner）编辑的《塞维利亚理发师》评论版，该评论版于 2008 年出版，是 "乔阿基诺-罗西尼作品 "系列的一部分。但谁需要新的 "塞维利亚理发师 "评论版呢？这部歌剧自 1816 年以来一直在世界各地的剧院上演，从未缺席。出版新的评论版有两个原因：首先，早期的版本都不能满足现代对学术评论版的要求"

作曲家: Rossini, Gioachino
校订者: Brauner, Patricia B.
乐器: scores 总谱
出版社: Bärenreiter 骑熊士(小熊版)
原文简介:
This study score is based on the critical edition of “The Barber of Seville” edited by Patricia B. Brauner and published in 2008 as part of the series “Works of Gioachino Rossini”. But who needs a new critical edition of “The Barber of Seville”? The opera has been performed in theatres throughout the world since 1816 and has never been absent from the repertoire. There are two reasons for a critical new edition: firstly, none of the early editions satisfy modern demands for a scholarly-critical edition.

And secondly, there is a wealth of previously unpublished material relating to this opera, of great interest to both scholars and performers.

Thus the famous overture, which Rossini had already used in his earlier opera “Aureliano in Palmira”, differs noticeably from earlier editions in many places. The new edition enables performers to perform the overture either in its original scoring (as in “Aureliano in Palmira”), which includes two flutes, two oboes and timpani, or in the scoring for the subsequent opera “The Barber of Seville” (with just one flute, one oboe and no timpani).

A series of appendices contain music and information which have been included in no other edition of the opera to date.

- Takes into account all original sources, also including five manuscripts with Rossini’s autograph ornamentation

- Takes into consideration the full extent of Rossini’s personal notational characteristics

- With a detailed foreword (Eng/Ital)