Windows -vier movements for trumpet and organ after Marc Chagall- Four movements after Marc Chagall 艾本 小号 管风琴 骑熊士版

美术一直是彼得-埃本（1929-2007 年）灵感的重要来源。夏加尔为耶路撒冷犹太教堂绘制的彩色玻璃窗为西波希米亚小镇切布的市立美术馆委托创作的四个小号和管风琴乐章提供了灵感。作者对乐器的选择发表了自己的看法： 大块彩色玻璃的庄严肃穆让我想象管风琴的音色，而一束束鲜艳色彩的强烈和明亮则需要小号的尖锐音色。埃本以一种独创的方式将两种乐器结合在一起：两个声部都保留了很大的独立性，以各自的节奏模式前进，并在某些地方相互交错。埃本的创作方法中典型的模态构成在此与无调性对抗，使两种乐器最后的齐奏产生了巨大的效果。自 1976 年问世以来，《窗口》一直是作曲家最常演奏的作品之一。这首乐曲的各个乐章以颜色命名： 蓝窗》、《绿窗》、《红窗》和《金窗》。管风琴部分由米兰-斯莱奇塔修订，小号部分由拉吉斯拉夫-科兹德卡修订"

作曲家: Eben, Petr
乐器: for Trumpet and Organ
出版社: Bärenreiter 骑熊士(小熊版)
原文简介:
Fine art has always been a prominent source of inspiration for Petr Eben (1929-2007). Chagall's stained-glass windows for the synagogue in Jerusalem gave an impulse for the four movements for trumpet and organ commissioned by the city gallery in the West Bohemian town of Cheb. The author commented on his choice of instruments: "The solemnity of the large panes of stained glass made me imagine the sound of the organ, and the intensity and brilliance of the sheaves of bright colours called for the shrill tone of the trumpet." Eben combines the two instruments in an original manner: both parts retain a great deal of independence, progressing in their own rhythmic patterns, intersecting in places. The modal composition typical of Eben's method is confronted here with atonality, enabling the final unison of the two instruments to sound with a monumental effect. Since its origin in 1976 Windows has been one of the most frequently performed pieces by the composer. The individual movements of the cycle are named after colours: The Blue Window, The Green Window, The Red Window and The Golden Window. The organ part was revised by Milan Slechta, the trumpet part by Ladislav Kozderka.