The Lord's Prayer 骑熊士版

雅纳切克的《主祷文》原谱完成于 1901 年，是为男高音和混声合唱团创作的作品，配有钢琴或口琴伴奏。六年后，作曲家将其改编为竖琴和管风琴伴奏。这个版本收录在我们的目录中，于 1906 年 11 月 18 日由布拉格的 Hlahol 合唱协会作为大合唱首次演出。当代波兰艺术家约瑟夫-梅西纳-克热兹（Josef Mecina-Krzesz）的一系列画作激发了作曲家的创作灵感，使他创作出了自己对祈祷文的诠释，其中蕴含着强烈的社会内涵。整首曲子的旋律受到摩拉维亚民歌的影响，在倒数第二个音节上有明显的重音--就像拉赫方言一样。乐曲采用了丰富的多旋律处理。在表现手法上，戏剧性的情节预示着歌剧《杰努法》的出现。博胡米尔-斯泰德隆（Bohumir Stedron）版本的基础是布拉格赫拉霍尔档案馆保存的《主祷文》第三授权副本。与此副本相比，《主祷文》的动态、乐句和节奏得到了统一，并在必要时进行了补充。乐谱包含前言、评论以及捷克语和德语的唱词。竖琴部分单独发行，编号为 H 3712a。H 3712a"

作曲家: Janácek, Leos
出版社: Bärenreiter 骑熊士(小熊版)
原文简介:
The original score of Janacek's The Lord's Prayer, a work written for tenor and mixed choir with piano or harmonium accompaniment, was completed in 1901. Six years later the composer reworked it with harp and organ accompaniment. This version, contained in our catalogue, was first performed as a cantata on 18 November 1906 by the Hlahol Choral Association in Prague. The composer was prompted to write a musical setting to the text by a series of paintings by ontemporary Polish artist Josef Mecina-Krzesz, who inspired Janacek to create his own interpretation of the prayer with strong social undercurrents. The melody throughout betrays the influence of the Moravian folk song, with marked accents on the penultimate syllables - as in Lach dialects. The piece incorporates rich polymelodic treatment. In terms of expression, the dramatic sequence anticipates the opera Jenufa. The basis for the edition by Bohumir Stedron was the third authorised copy of The Lord's Prayer kept in the Prague Hlahol archive. In contrast with this copy, the dynamics, phrasing and rhythm were unified and supplied where necessary. The score contains a preface, critical commentary and sung text in Czech and German. The harp part is issued separately under ed. no. H 3712a.