Requiem op. 89 德弗札克 安魂曲 骑熊士版

15 世纪至今，拉丁文的 "亡者弥撒 "一直激发着音乐创作的灵感，为历代作曲家提供了反思人类生命终结和令人不安的人类命运问题的机会。德沃夏克为独唱、合唱和管弦乐队创作的《安魂曲》创作于 1890 年，次年在伯明翰上演，大获好评。这部长篇作品将礼仪文本分为 13 个大的部分。德沃夏克《安魂曲》的钢琴缩写本是第一部《安东宁-德沃夏克作品批判版全集》的一部分，由卡雷尔-索尔克（Karel Solc）在批判版乐谱的基础上制作而成"

作曲家: Dvorák, Antonín
出版社: Bärenreiter 骑熊士(小熊版)
原文简介:
The Latin text of the mass for the dead, inspiring musical settings from the 15th century to this day, provided composers throughout the ages with an opportunity to reflect upon the end of human life and on the disquieting issues of human destiny. Dvorak's Requiem for solos, choir and orchestra was written in 1890 and performed in Birmingham the following year to considerable acclaim. This full-length work divides the liturgical text into thirteen extensive parts. The piano reduction of Dvorak's Requiem, part of the first Complete Critical Edition of Works by Antonin Dvorak, was produced by Karel Solc on the basis of the critical edition of the score.