IX. Symphonie e-Moll op. 95 德弗札克 骑熊士版

东宁-德沃夏克（Antonin Dvorak，1841-1904 年）于 1893 年前几个月开始创作 E 小调第九交响曲，作品 95 "来自新世界"，当时他在美国逗留，1892-1895 年担任纽约国立音乐学院院长。虽然他没有为交响乐留下任何曲目说明，但他本人表示，当时阅读亨利-沃兹沃斯-朗费罗的史诗《海华沙之歌》对他影响很大。史诗中著名的描写明尼哈哈林地埋葬的拉格乐章和接下来的小快板都引用了史诗中的灵感--一种印第安仪式舞蹈，但在这里也融入了捷克民间舞蹈。即使在最后一个乐章 "Allegro con fuoco "中，也与第一乐章 "Adagio. Allegro molto》的第二主题也是对捷克民间旋律的回忆。德沃夏克的这首著名交响曲在此作为钢琴改编曲出版，是 "大众版 "系列的一部分。由 Karel Solc 为钢琴改编"

作曲家: Dvorák, Antonín
改编者: Solc, Karel
出版社: Bärenreiter 骑熊士(小熊版)
原文简介:
Antonin Dvorak (1841-1904) began working on his Symphony No. 9 in E minor, Op. 95 "From the New World" in the first few months of 1893, during his stay in the USA where, in the years 1892-1895, he was director of the National Conservatory of Music in New York. While he did not leave behind any programme description for the symphony, he, himself, stated that he had at that time been greatly influenced by reading the epic poem The Song of Hiawatha by Henry Wadsworth Longfellow. Inspiration from the epic is cited both in connection with the celebrated Largo, describing the woodland burial of Minnehaha, and with the following Scherzo - an Indian ceremonial dance which here, however, also incorporates a Czech folk dance. Even in the last movement, Allegro con fuoco, written in sonata form like the first movement, Adagio. Allegro molto, the second subject is a reminiscence of a Czech folk melody. Dvorak's famous symphony is here published as a piano arrangement as part of the series "Popular Edition". Arranged for piano by Karel Solc.