Humoresque G-flat major op. 101,7 德弗札克 幽默曲 骑熊士版

沃夏克的 "幽默舞曲 "是他早期苏格兰舞曲作品（1877 年，作品 41，B 74）的后续。德沃夏克的《幽默舞曲》是继其 1877 年苏格兰舞曲作品 41（B 74）之后的又一部作品，形成了 "新苏格兰舞曲 "系列。虽然这些钢琴曲是在 1894 年 8 月的几个夏日里写成的，但却是长期酝酿的结果"

作曲家: Dvorák, Antonín
校订者: Kvasnickova, Petra / Stedronska, Marketa
乐器: piano 钢琴
出版社: Bärenreiter 骑熊士(小熊版)
原文简介:
Dvorak’s Humoresques were meant to follow up on his earlier Scottish Dances op. 41 of 1877 (B 74) to form a series of “New Scottish Dances”, as the cycle was originally titled. Though written down over a few summer days in August 1894, these piano pieces are the result of a long period of gestation.

The gradual refinement of the musical material can be observed in the genesis of the most popular and most frequently arranged piece in the entire cycle, the G-flat major Humoresque (no. 7). The surviving draft, from the American Sketchbook, formed the basis of the initial version of the opening sixteen bars, but it completely lacks the later musical elaboration and characteristic appoggiatura rhythm.

It therefore seemed logical to turn to the sources in preparing our new edition. Although the editors took the authorized original print as their principal source, a detailed list of alternative readings, combined with many examples from the facsimile of the autograph, allows readers to retrace the genesis and evolution of the thematic material in Dvorak‘s hands.

- Urtext edition at the cutting edge of Dvorak scholarship

- Preface and critical commentary ( Cz ./Ger./Eng.)

- All available sources taken into account

- Facsimiles of the sources enclosed