Concerto for Violin and Orchestra D major op. 77 布拉姆斯 协奏曲 小提琴 管弦乐团 骑熊士版

约翰内斯-勃拉姆斯（Johannes Brahms）为他的朋友约瑟夫-约阿希姆（Joseph Joachim）创作的小提琴协奏曲自首次演奏以来，一直是音乐会文献中的标准曲目。这部作品从未出版过学术性的评论版本，因此，许多有时相互矛盾的数据源从未被评估过，也从未出版过评论性的演奏版本。该版本不仅参考了勃拉姆斯亲笔签名的乐谱、独奏部分和亲笔签名的钢琴缩写，还参考了他个人的第一版乐谱副本以及第一版管弦乐部分。克莱夫-布朗（Clive Brown）的版本深入剖析了这部作品的起源以及勃拉姆斯与约阿希姆之间的工作关系。批判性评注对数据中的所有差异进行了评论"

作曲家: Brahms, Johannes
校订者: Brown, Clive
乐器: for Violin and Orchestra
出版社: Bärenreiter 骑熊士(小熊版)
原文简介:
Johannes Brahms's violin concerto, written for his friend Joseph Joachim, has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many, sometimes conflicting, sources have never been evaluated for a critical performing edition. Not only Brahms's autograph score, solo part and autograph piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationship between Brahms and Joachim. The critical commentary comments on all discrepancies in the sources.

The critical edition of Brahms's own piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice.

In addition the piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir , H. Heermann , L. Auer and F. Busoni.

An informative preface (Ger / Eng) with references to performance practice and a critical commentary are included in the edition.

Short text:

This publication contains not only Brahms’ own piano reduction, an Urtext violin part, a second violin part with fingerings and bowings by J. Joachim from his 1905 violin method but also an additional brochure with cadenzas by Brahms’ contemporaries J. Joachim, C. Halir , H. Heermann , L. Auer and F. Busoni. Clive Brown has also provided an enlightening preface on Romantic period performance practice as well as the history of the work and its sources.

- First scholarly critical edition of this standard work

- Critical commentary (Eng)

- Insightful comments on performance practice

- An Urtext violin part and an additional violin part marked with fingering and bowing suggestions by Joseph Joachim

- Valuable cadenza brochure with cadenzas by Joachim, Halir , Heermann , Auer and Busoni