Concerto for Pianoforte, Violin, Violoncello and Orchestra C major op. 56 "Triple Concerto" 贝多芬 协奏曲 钢琴 小提琴大提琴 管弦乐团 三重协奏曲 骑熊士版

在贝多芬的《三重协奏曲》中，钢琴三重奏担任独奏，这在音乐史上尚属首次。贝多芬对三重奏的处理是开创性的：他没有采用典型的钢琴三重奏形式与管弦乐队形成对比，而是对独奏部分进行了不同的处理，让每件乐器与管弦乐队（尤其是大提琴）单独演奏，将两件独奏乐器以全新的形式组合在一起，最后将所有三件乐器与管弦乐队汇聚在一起。贝多芬编织了一张复杂的网--管弦乐、钢琴、小提琴和大提琴的声音交相辉映、纠缠在一起--他创作了一部真正的杰作"

作曲家: Beethoven, Ludwig van
校订者: Del Mar, Jonathan
乐器: for Pianoforte, Violin, Violoncello and Orchestra
出版社: Bärenreiter 骑熊士(小熊版)
原文简介:
In Beethoven’s Triple Concerto, a piano trio provides the soloists – a first in the history of music. Beethoven’s treatment of the trio is pioneering: he does not apply a typical piano trio setting in contrast to the orchestra, but varies his treatment of the solo parts, allowing each instrument to play alone with the orchestra (particularly the cello), using two solo instruments together in ever new combinations, and finally bringing together all three instruments with the orchestra. Beethoven weaves a complex web – the orchestral, piano, violin and cello voices interplaying and entwining – and he produces a true masterpiece.

Bärenreiter’s new Urtext edition of Beethoven’s Triple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions, but with the assistance of three newly-discovered sources, editor Jonathan Del Mar has cleaned up the text, corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven’s day might have recognized, with all necessary information for directing the piece included in the solo piano part.

- Piano reduction with separate parts for all three soloists

- Draws on three new sources

- Correction of many errors found in previous editions