Les FÛtes de l'Hymen et de l'Amour -Ballet heroique in a prologue and 3 acts- Ballet héroïque in a prologue and 3 acts 拉摩 芭蕾 开场白 芭蕾 开场白 骑熊士版

拉莫的 "海门与爱的节日 "长期以来被认为是二流作品，因为它的首演与政治事件有关。然而，这部芭蕾舞剧充满了新颖的戏剧效果，预示着他后来的歌剧，如《扎伊斯》、《琐罗亚斯特尔》和《波雷阿德斯》。拉莫与他的编剧卡胡萨克合作，力求将舞蹈、合唱和舞台机械更紧密地融入主要情节中。他还尝试了这部作品独有的风格手段，其中最著名的无疑是尼罗河泛滥的场景（令人印象深刻的十声部双人合唱、独唱和管弦乐）以及《阿鲁埃里斯》中的六重奏，这在他的作品中是绝无仅有的"

作曲家: Rameau, Jean-Philippe
改编者: Saint-Yves, François
校订者: Soury, Thomas
乐器: voice with instruments 声乐与器乐
出版社: Bärenreiter 骑熊士(小熊版)
原文简介:
Rameau's “Les Fêtes de l'Hymen et de l'Amour” was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as “Zaïs”, “Zoroastre” and “Les Boréades”. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from “Aruéris”, a scoring found nowhere else in his œuvre.

For the first time, this scholarly-critical edition of “Les Fêtes de l'Hymen et de l'Amour” presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Académie Royale de Musique in 1748.

• Milestone of French Baroque opera in performance practice orientated vocal score

• With a brief foreword (Fr/Eng) containing salient information on the genesis of the work, the synopsis and the edition