Aria Albums from Handel's Operas -Female Roles for High Voice- Female Roles for High Voice 韩德尔 咏唱调 歌剧 高音 骑熊士版

意大利歌剧是亨德尔 35 年来创作的中心，独唱咏叹调是巴洛克歌剧中最重要的元素之一。戏剧角色的各种情绪和反应通过咏叹调表现出来。亨德尔的大量歌剧中还包含至少一个由两到三个声部组成的完整场景。这些乐段不仅采用了类似咏叹调的抒情或表现形式，还运用了亨德尔室内乐中的协奏元素"

作曲家: Handel, George Frideric
校订者: Burrows, Donald
出版社: Bärenreiter 骑熊士(小熊版)
原文简介:
Italian opera was at the centre of Handel’s output for over 35 years with solo arias constituting one of the most important elements in Baroque opera. Dramatic roles, with their various moods and reactions, are characterised through arias. A large number of Handel’s operas also contain at least one entire scene for two to three voices. These numbers make use not only of similar lyrical or expressive forms of expression such as the arias, but also employ contrapuntal elements as found in Handel’s chamber music.

Based on the Bärenreiter vocal scores, three volumes were published which contain some of Handel’s best-known arias, duets and trios, together with less well-known numbers of equally high musical quality. The arias are arranged chronologically, reflecting the order in which the operas were composed.

The three volumes:

Female roles for high voice (BA 4295)

Male roles for high voice (BA 4296)

Duets, Trios and Ensemble Scenes (BA 4297)

- Unbeatable collections of Handel’s most beautiful arias and ensembles

- Musical text based on the Urtext vocal scores of the “Halle Handel Edition”

- Detailed foreword (Eng/Ger) by Donald Burrows on Handel’s singers and on the arias in the context of the operas

- Translations of the Italian aria texts (Eng/Ger)