Carae Rosae, Respirate RV 624 - Motet for Soprano, Strings & Basso Critical Edition Score 韦瓦第 经文歌 弦乐器 声乐与器乐

这首为女高音、弦乐和低音提琴而作的动机曲是维瓦尔第唯一一首保存在意大利以外的作品。它被收录在伦敦的两份手稿中：一套是皇家音乐学院收藏的部分，另一份是大英图书馆收藏的乐谱。乐曲的结构是传统的两段咏叹调，中间是一段简短的朗诵，之后是一段精彩的阿利路亚。数据源的不完整性（第二部分显然是从第一部分抄袭而来）是相当不寻常的。现有的乐谱包括声乐部分、低音乐器部分和第一小提琴部分。不过，很明显，最初至少有一个中间声部（可能有两个，与现存的所有其他维瓦尔第主题曲一致），因为低音声部经常停顿，在这些情况下，第一小提琴声部作为 "上 "声部继续演奏，而不是作为和声的低音声部。在重建过程中，编者添加了第二小提琴和中提琴的内部声部。这项工作并不困难，因为许多段落在维瓦尔第的音乐中都能找到相似之处。这些独立部分包括编者实现的连奏部分"

作曲家: Antonio Vivaldi
乐器: Basso Continuo; Soprano; String Ensemble
出版社: Ricordi
原文简介:
This motet for soprano, strings and basso continuo, is the only one by Vivaldi to be preserved outside Italy. It is included in two manuscript collections in London: a set of parts in the Royal College of Music and a score in the British Library. The structure is the conventional one of two arias enclosing a short recitative and followed by a brilliant Alleluia. The incompleteness of the sources (the second evidently copied from the first) is of a rather unusual kind. The existing score comprises a vocal part, an instrumental bass and a first violin part. However, it is clear that there was originally at least one middle part (probably two, to match all the other surviving Vivaldi motets), since the bass part pauses frequently, and on these occasions the first violin part continues as an “upper” voice, not as a bass of the harmony. In the reconstruction, inner parts for second violin and viola have been added by the editor. The task was not difficult, since many passages find close parallels elsewhere in Vivaldi's music. The separate parts include a realization of the continuo by the editor.