Adina Vocal Score based on the Critical Edition by Fabrizio Della Seta 声乐总谱 声乐

阿狄娜》于 1818 年受里斯本一位不知名人士的委托而创作，在 1826 年首演之前的数年中一直被搁置，直到 1963 年该歌剧复排之前，在里斯本的演出几乎是唯一的记录。本声乐总谱基于法布里齐奥-德拉-塞塔（Fabrizio Della Seta）编制的管弦乐总谱评论版，由佩萨罗的罗西尼基金会与 Casa Ricordi 合作出版。该版本首次重建了亲笔签名乐谱的结构，其中反映了至少五人的集体贡献：罗西尼只创作了四首全新的乐曲，并重新使用了西吉斯蒙多的另外三首乐曲，其余乐曲则依靠合作者和抄写者完成。德拉-塞塔对这份基本档（藏于罗西尼基金会）进行了详细的研究，并对二手数据进行了翔实的评估，其中包括一份完整的手稿副本（藏于伦敦大英图书馆）、带有罗西尼亲笔干预的各种声乐部分手稿（藏于布鲁塞尔皇家音乐学院）、 以及 1855 年至 1859 年间由 Ricordi 出版的第一版声乐乐谱，还揭示了为 1826 年那场历史性演出在里斯本印刷的歌词如何与亲笔签名乐谱的叙述性安排大相径庭，并有大量删减和修改（其中包括删除了咏叹调 Alì，并增加了一个 Coro）。虽然这首 Coro 既非罗西尼本人所作，也与他最初的歌剧概念设计无关，但其音乐仍保留在第一声乐谱中，因此作为附录收录在本版中"

作曲家: Gioacchino Rossini
校订者: Fabrizio Della Seta
乐器: Vocal; Piano Accompaniment
出版社: Ricordi
原文简介:
Composed in 1818 on commission from an unknown individual in Lisbon, Adina was left to languish some years until its premiere in 1826, with a single performance in that city remaining virtually the only one on record until the opera's revival in 1963. The present vocal score is based on the critical edition of the orchestral full score prepared by Fabrizio Della Seta and published by the Fondazione Rossini of Pesaro in collaboration with Casa Ricordi. This Edition reconstructs for the first time the structure of the autograph score, which reflects the collective contributions of at least five different hands: having composed only four entirely new numbers and repurposed another three from Sigismondo, Rossini relied upon collaborators and copyists for the remainder of the music. Della Seta's detailed examination of this fundamental document (housed at the Fondazione Rossini) together with an informed assessment of the secondary sources, including a complete manuscript copy (housed at the British Library in London), various manuscript vocal parts with Rossini's autograph interventions (housed in the Royal Conservatory of Brussels), and the first edition of the vocal score published by Ricordi between 1855 and 1859, additionally reveals how the libretto printed in Lisbon for that single historic performance in 1826 differed substantially from the narrative disposition of the autograph score, with ample cuts and modifications (among those the suppression of the Aria Alì and the addition of a Coro). While neither attributable to Rossini himself nor pertaining to his original conceptual design of the opera, this Coro, the music of which survives in the first vocal score, is included as an Appendix to the edition.