Die Schuldigkeit des Ersten Gebots K. 35 莫扎特 骑熊士版

这部作品可能是受西吉斯蒙德-克里斯托夫-冯-施拉滕巴赫亲王主教的委托，由三位萨尔茨堡作曲家创作： 莫扎特（W. A. Mozart）（第一部分）、迈克尔-海登（Michael Haydn）（第二部分）和安东-卡耶坦-阿德尔加瑟（Anton Cajetan Adlgasser）（第三部分）。只有第 1 部分的手稿流传了下来。在这里，莫扎特大量借鉴了萨尔茨堡教堂音乐和学校戏剧的传统，也许是以约翰-恩斯特-埃伯林（Johann Ernst Eberlin）甚至他的父亲利奥波德（Leopold）为榜样"

作曲家: Mozart, Wolfgang Amadeus
改编者: Müller, Karl-Heinz
校订者: Giegling, Franz
乐器: voice with instruments 声乐与器乐
出版社: Bärenreiter 骑熊士(小熊版)
原文简介:
This work, possibly commissioned by Prince-Bishop Sigismund Christoph von Schrattenbach , was assigned to three Salzburg composers: W. A. Mozart (part 1), Michael Haydn (part 2), and Anton Cajetan Adlgasser (part 3). Only the manuscript of part 1 has survived. Here Mozart drew heavily on the Salzburg tradition of church music and school dramas, perhaps taking Johann Ernst Eberlin and even his father Leopold as his models.

The first performance took place in the Knights’ Hall of the prince’s palace on 12 March 1767. The libretto was supplied by Ignaz Anton Weiser (1701–1785), town councillor and mayor of Salzburg .

Mozart wrote out many of the appoggiaturas in this early work, thereby providing a useful guide to the vocal practices of his day. Aria no. 2 has come down to us with an instructive passage in which the vocal part is ornamented in the hand of Leopold Mozart.

The piano reduction, by K.-H. Müller , was prepared on the basis of the New Mozart Edition. The piano part is uncluttered and easy-to-play.

- Clear and straightforward appearance on the page

- Based on the Urtext from the New Mozart Edition

- Practical, easy-to-play piano reduction

- Bilingual preface (Ger./Eng.) with notes on the work’s history and performance practice