Gloria RV 589 韦瓦第 骑熊士版

如今，《荣光颂》RV 589（BA 7674）是维瓦尔第最著名的作品之一，也是巴洛克时期最常演奏的神圣声乐作品之一。维瓦尔第在创作 "荣光颂 "时，采用了协奏曲弥撒曲的风格，将其作为一部自成一体的作品。不过，它也可能在教堂仪式中演奏。从独唱声部（SSA）的配乐来看，这部作品是维瓦尔第于 1716 年左右在 Ospedale della Pietà 工作期间创作的。在 "荣光颂 "的十二个乐章中，维瓦尔第充分展示了他的精湛技艺，从喜庆、崇高的外乐章到柔美、配乐透明的独唱段落，无所不包"

作曲家: Vivaldi, Antonio
校订者: Bruno, Malcolm / Ritchie, Caroline
出版社: Bärenreiter 骑熊士(小熊版)
原文简介:
Today the “Gloria” RV 589 (BA 7674) is one of Vivaldi’s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the “Gloria” as a self-contained work in the style of a concertante mass. However, it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Pietà, around 1716. In the twelve movements of the “Gloria”, Vivaldi displays the whole range of his mastery from festive, sublime outer movements to tender, transparently scored solo passages.

The same mastery has also been applied to the “Kyrie” RV 587 (BA 8950), scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.

Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt, these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The piano reductions are straightforward, clearly presented and preserve the character of the works.

- Attractive choral pieces which can be combined to form a short mass

- Vocal score as well as choral score available for the “Gloria”

- Informative foreword (Ger/Eng)