Tema Variato M.S. 82 Critical Edition Solo Violin 帕格尼尼 小提琴 小提琴

帕格尼尼的小提琴独奏曲《Tema variato》（M.S. 82）是作曲家青年时期的作品，创作于 18 世纪末至 19 世纪初，在这一时期创作了小提琴与吉他协奏曲《Carmagnola con variazioni》（M.S. 1）、遗作《大协奏曲》（E 小调协奏曲 M.S. 75）和小提琴《Inno patriottico》（M.S. 81）等作品。这首曲子由一个主题和七个变奏组成，展示了明显的技艺性音乐创作，其中的许多技术性姿态似乎是 Capricci 作品 1 的前奏（快速的琶音通过）。作品 1 的前奏（快速琶音段落、大跳跃、双停顿等），以及对 "organetto "和 "flagioletto"（使用简单或双重和声）等不寻常效果的探索。无论是从其历史意义还是音乐质量来看，《变奏曲》都是一部具有重要意义的作品，其变奏曲的编排经过深思熟虑，每一个变奏曲都有其独特之处。本评论版以热那亚市政府历史档案馆保存的手稿（1793 毫秒）为基础，并与 1999 年苏维尼-泽博尼版本进行了对比

作曲家: Nicolo Paganini
乐器: Violin
出版社: Ricordi
原文简介:
Paganini's Tema variato for solo violin (M.S. 82) is a work dating from the composer's juvenile period, written between the end of the eighteenth century and the beginning of the nineteenth, a period in which works such as his Carmagnola con variazioni (M.S. 1) for violin and guitar, the posthumous “Grande concerto” (E minor concerto M.S. 75), and Inno patriottico for violin (M.S. 81) were composed. Organised as a theme followed by seven variations, the piece showcases a decidedly virtuosic musical writing, with numerous technical gestures that seem to prelude the Capricci op. 1 (rapid arpeggiated passages, wide leaps, double stops, etc.) together with a search for unusual effects, such as “organetto” and “flagioletto” (the use of simple or double harmonics). The Tema variato is a significant work both in terms of its historical-instrumental importance and its musical quality, where the carefully thought-out organization of the variations, each with its own distinctive character, is evident. This critical edition is based on the manuscript kept in the Historical Archives of the Municipality of Genoa (ms. 1793) compared with the 1999 Suvini Zerboni edition.