Caprice D'adieu Violin Solo 帕格尼尼 随想曲 小提琴

《阿迪厄随想曲》（Caprice dAdieu）（作者不详）附于爱德华-埃利塞斯（Eduard Eliasons）的《六首小提琴随想曲》（Six Caprices Caractéristiques pour le Violon），作品 12，1833 年由 B. Schott 在马延斯出版。帕格尼尼献给埃利亚松的这首曲子，是一系列小提琴独奏曲的一部分，但却被演奏家和研究这位伟大的热那亚音乐家的学者广泛忽视。这首曲子的规模和结构（A-B-A，两段反问句）沿袭了他的一些随想曲作品 1 的模式，但与这些正式的研究不同，Caprice dadieu 更轻快、更活泼。虽然在音乐上不如随想曲那么出彩，但它仍包含了一些独创性的音乐构思，主要由两个部分组成，其中有几个复杂的技术段落和一个对比鲜明的中心部分，该部分具有不同的动态和一系列的和弦和颤音。本评论版以第一版为基础，并与十九世纪和二十世纪最重要的版本进行了核对"

作曲家: Nicolò Paganini
乐器: Violin
出版社: Ricordi
原文简介:
The Caprice dAdieu (autograph unknown) is appended to Eduard Eliasons Six Caprices Caractéristiques pour le Violon, Op. 12, which was published in Mayence by B. Schott in 1833. This piece, which Paganini dedicated to Eliason, is part of a series of compositions for violin solo that have been widely ignored by both performers and scholars of the great Genoese musician. It is a composition whose size and structure (A-B-A, with two refrains) follows the pattern of some of his Capricci, Op. 1, but, unlike these proper studies, the Caprice dadieu is lighter and more lively in character. Although not as brilliant, musically, as the Capricci, it still contains some original musical ideas, mostly articulated in two parts with a few complex technical passages and a central, contrasting section featuring different dynamics and a range of chords and trills. This critical edition is based on the first edition and is collated with the most important nineteenth and twentieth-century editions.