Sonate Violin and Basso Continuo RV11, RV37 Critical Edition Score 韦瓦第 小提琴 小提琴(含钢琴伴奏)

维瓦尔第时代的绝大多数小提琴奏鸣曲，包括维瓦尔第本人的奏鸣曲，都是以采用两个谱表的乐谱形式流传下来的：一个是小提琴谱表，另一个是低音谱表。这就保证了，虽然作品可能会有部分缺失，但流传下来的都是完整的文本。例外的是，维瓦尔第的五首小提琴奏鸣曲仅保存在格拉茨 Diözesanarchiv 收藏的一本小提琴部分乐谱中，大提琴的补充部分已经消失。这些奏鸣曲似乎是德累斯顿组曲（1716-1717 年）和曼彻斯特组曲（约 1726 年）之间的作品。其中三首奏鸣曲都有四个乐章，在其他数据中也有部分乐章与这三首奏鸣曲共享两个或三个乐章，但其中两首--RV 11 和 RV 37--迄今为止只在格拉茨发现过（除了 RV 11 的题记见于当代主题目录）。这一批判性版本使这两部作品可供研究和演奏。低音部分是编辑重建的，此外还有编辑实现的连续音"

作曲家: Antonio Vivaldi
乐器: Violin; Basso Continuo
出版社: Ricordi
原文简介:
The vast majority of violin sonatas from Vivaldi's time, including those of Vivaldi himself, have come down to us in the form of a score employing two staves: one for violin, and one for bass. This guarantees that, although portions of the work may be missing, what survives is textually complete. Exceptionally, five of Vivaldi's violin sonatas are preserved solely in a partbook for violin held by the Diözesanarchiv, Graz, the complementary part for cello having disappeared. The sonatas appear to date from the period between the Dresden group (1716-1717) and the Manchester set (c. 1726). Three of the sonatas, which all have four movements, possess partial concordances in other sources, with which they share two or three movements,but two of them - RV 11 and RV 37 - have so far been found only in Graz (with the exception of an incipit for RV 11 found in a contemporary thematic catalogue). This critical edition makes these two works available for study and performance. The bass part is an editorial reconstruction, and there is in addition a realization of the continuo by the editor.