Concerto Rv 585 in 2 Choirs 2 Violins & 2 (Mandatory) Organs, Basso Continuo Scor 韦瓦第 协奏曲 合唱团小提琴 管风琴 小提琴(含钢琴伴奏)

在保存不完整的维瓦尔第作品中，RV 584 号《双簧管协奏曲》因其音乐趣味性和结构复杂性而脱颖而出。这是一部华丽的几何结构作品，是为了纪念两个同时发生的特殊事件而创作的：1737 年，Ospedale della Pietà 购买了一架新的大型管风琴，维瓦尔第最后一次被这家威尼斯著名的孤儿院聘为 "协奏曲大师"。维瓦尔第从第一次受聘于圣母院时起，就开始创作 "双声协奏曲"（"双合奏曲"），用于庆祝最重要的礼仪和纪念场合；正是他在器乐领域继承了威尼斯古老的多声部音乐传统，为我们留下了六部作品，是意大利唯一的此类作品"

作曲家: Antonio Vivaldi
校订者: Federico Maria Sardelli
乐器: Organ; Violin; Basso Continuo
出版社: Ricordi
原文简介:
Among the works by Vivaldi that are preserved incompletely, the Concerto in due cori con due violini e due organi obbligati, RV 584,stands out for its musical interest and structural complexity. It is a work of sumptuous and geometrical architecture composed to mark two special and concurrent events: the purchase - in 1737 - of a new large organ by the Ospedale della Pietà and the re-engagement of Vivaldi for a final time by this famous Venetian institution for foundlings as its “maestro dei concerti”. From thetime of his first employment at the Pietà Vivaldi had composed concertos “in due cori” (“for double ensemble”) in celebration of themost important liturgical and commemorative occasions; it was he who carried on, in the instrumental domain, the ancient Venetian tradition of polychoral music, leaving us six works that constitute the sole Italian examples of such writing.

Recounting in detail the story of the purchase of, and repairs to, the organs of the Pietà in relation to Vivaldi's composition for this instrument, the introductory essay for this edition manages to mark out a precise chronological grid against which it is possible to date the work exactly. This investigation likewise produces a precise dating for the concerto RV 585, the earliest specimen of its kind, which was composed between September 1708 and February 1709. This 'story of the organs' additionally affords the opportunity to present an anthology of documents from the Pietà shedding light on the special relationship that existed between Vivaldi, the governors and the “figlie”.

Of this concerto, which was certainly composed in its entirety by Vivaldi and therefore - in all likelihood - also performed, there remains today only the autograph of the first, extended movement: enough to bear witness to the quality and impressiveness of the work and encourage its performance.