Concerti for Violin, Strings & Basso Continuo RV320, RV378, RV745 Critical Edition Score 韦瓦第 弦乐器 弦乐 小提琴(含钢琴伴奏)

在维瓦尔第创作的数百首小提琴协奏曲中，有三首小提琴协奏曲部分未完成，这三首协奏曲是他作为演奏家的核心作品： RV 370、RV 378 和 RV 745。RV 378 只保留了第一乐章的一部分，RV 320 只缺少第三乐章末尾的几个小节，而 RV 745 只保留了最后一个乐章。然而，这种性质的不完整却产生了可演奏的、完全令人愉快的文本。这三首协奏曲的手稿均为维瓦尔第的亲笔手稿，可追溯到维瓦尔第最后的创作时期（约 1730-1741 年），在此期间，这位 "红色牧师 "将他的各种音乐经历融合在一起，创造出了一种日益迥异和内省的音乐语言。通过协奏曲 RV 320 第一乐章的大小调明暗对比、RV 378 的激情演奏和 RV 745 的机械演奏，这三首协奏曲展现了维瓦尔第晚年在处理小提琴时的想象力和复杂性"

作曲家: Antonio Vivaldi
乐器: Strings; Violin; Basso Continuo
出版社: Ricordi
原文简介:
Among the hundreds of violin concertos written by Vivaldi, which stand at the centre of his activity as a virtuoso, there are three that are in part incomplete: RV 370, RV 378 and RV 745. While only a portion of the first movement has survived in the case of RV 378, RV 320 lacks only a few bars at the end of its third movement, and only the last movement of RV 745 is extant. Incompleteness of this nature does, however, result in performable and perfectly enjoyable texts. The manuscripts of these three concertos are all autograph and datable to Vivaldi's last creative period (c. 1730-1741), years in which the Red Priest mixes his various musical experiences to create a language that is increasingly disparate and introspective. With the major-minor chiaroscuro of the first movement of the concerto RV 320, the spirited virtuosity of the RV 378 and the more mechanical virtuosity of RV 745, these three concertos offer a cross-section of the imagination and complexity that Vivaldi brings to the treatment of the violin in his late maturity.