Et Exspecto Sonata for Bayan Solo 古拜杜莉娜 奏鸣曲

索非亚-古拜杜丽娜经常演奏的巴扬独奏曲《Et exspecto》创作于 1986 年。与这位宗教色彩浓厚的作曲家的许多其他作品一样，这首作品与基督教信仰有着密切的联系。索非亚-古拜杜丽娜在《Et exspecto》中还提到了耶稣基督的第二次降临。在这首目前在 "exempla nova "系列中出版的作品中，两个音域交织在一起--调性和声与音块组群交织在一起。作曲家在前四个乐章中都保留了这一和声，只有第五乐章和最后一个乐章中没有。所有听众都能感受到的是，在这首作品的演奏过程中，不和谐的音域越来越多，其中俄罗斯按键式巴扬琴上的空气按钮的噪音起到了重要作用。索非亚-古拜杜丽娜将她的巴扬独奏奏鸣曲献给了编辑弗里德里希-利普斯"

作曲家: Sofia Gubaidulina
乐器: Bayan
出版社: Sikorski
原文简介:
Sofia Gubaidulina's frequently performed solo piece “Et exspecto” for bayan solo was composed in 1986. Like many other works by this profoundly religious composer, this one has a close connection to the Christian faith. With “Et exspecto”, Sofia Gubaidulina also refers to the second coming of Jesus Christ. Two sonic spheres come together in this work, now being published in the “exempla nova” series – a tonal chorale is confronted by blocks of clusters. The composer maintains this chorale in the first four movements; it is only absent from the fifth and final movement. What can be sensed by all listeners is the increasingly dissonant spectrum over the course of this composition, in which the noise of the air button on the Russian button-action bayan plays an important role. Sofia Gubaidulina has dedicated her Sonata for bayan solo to the editor Friedrich Lips.