Barbarito's Dance 舞曲 竖笛 1把以上加钢琴

Barbaritos Dance》献给古巴最重要的长笛演奏家之一 Barbarito Torres。矛盾舞曲是 19 世纪早期典型的古巴音乐风格，受到法国沙龙音乐的影响，是当时古巴上流社会最流行的舞蹈节奏之一。它一般采用二进制记谱法，节奏欢快。这首乐曲突出了 "cinquillo "节奏，它被认为是古巴传统音乐中非常重要的一个节奏单元。这种音乐风格的最初形式并不包括即兴演奏；然而，手头上以矛盾节奏为特征的主题却融化成了一首son montuno，为即兴独奏提供了基础。由于缺乏即兴演奏的机会，这首曲子包含了为两支单簧管创作的各种独奏循环，在乐句和节奏单元之间强调了古巴音乐表演中至关重要的方面"

作曲家: Zalba, Javier
乐器: 2 clarinets and piano
出版社: advance music GmbH
原文简介:
Barbarito’s Dance is dedicated to one of the most important Cuban flute players, Barbarito Torres. The contradanza, a Cuban music style typical of the early 19th century, was influenced by French salon music and ranked among those dance rhythms that were most popular with the Cuban high society of those days. It is generally notated in binary form and has a cheerful character due to its lively pace. The piece brings into prominence the cinquillo, a rhythmic cell that is considered to be of great significance in traditional Cuban music. In its original form, this style of music did not feature improvisations; yet, the theme on hand notated in a tempo characteristic of the contradanza melts into a son montuno, which then provides the basis for the execution of improvised solos. For want of opportunities to improvise, the composition includes various solistic cycles written for the two clarinets, emphasizing - between phrases and rhythmic cells – those aspects that are essential to the performance of Cuban music.