6 Introduzioni teatrali op. 4/1-6 Vol. 1 洛卡泰利 总谱 欧伊伦堡版
乍一看，《引子》似乎是活泼的三乐章作品，乐章顺序和和声顺序都很规范：快-慢-快，大-小-大。1735 年，才华横溢的意大利小提琴家兼作曲家皮埃特罗-安东尼奥-洛卡特利（Pietro Antonio Locatelli）在阿姆斯特丹创作了 6 部《戏剧引子》（Introduzioni teatrali），或许是为了满足荷兰业余交响乐团的巨大需求。直到 18 世纪末，洛卡特利的作品在整个欧洲都享有盛誉，尽管这位作曲家的生活非常隐蔽。他没有学生，也从不公开演出。在他收养的城市阿姆斯特丹，他自由创作，不受教会或宫廷的控制。对于一位 18 世纪的作曲家来说，这是不寻常的生活方式，也是不寻常的作品
作曲家: Locatelli, Pietro Antonio
编者: Cattoretti, Anna
乐器: string orchestra and basso continuo
出版社: Ernst Eulenburg & Co. GmbH
曲目:
Preface - Introduzione No. 1 D major - Allegro - Allegro - Presto - Introduzione No. 2 F major - Allegro - Andante - Allegro - Introduzione No. 3 Bb major - Allegro - Andante - Presto - Introduzione No. 4 G major- Allegro - Andante - Presto - Introduzione No. 5 D major- Allegro - Andante - Presto - Introduzione No. 6 C major- Vivace - Andante - Presto
At first glance, the Introduzioni appear to be lively three-movement works with a standardized order of movements and harmonic order: fast - slow - fast, major - minor - major. With regard to style, the short symphonies resemble the Neapolitan opera buffa, the descriptive title Introduzioni implying the function, the introduction to stage works.With his 6 Introduzioni teatrali, composed in 1735, the talented Italian violinist and composer Pietro Antonio Locatelli who had lived in Amsterdam since 1729 perhaps paid tribute to the great demand on the part of the Dutch amateur orchestras. But were the master and his oeuvre actually as well adjusted as it seems?Locatelli's works were well known throughout Europe until the end of the 18th century, although the composer led a very secluded life. He had no students and never performed in public. In his adopted city Amsterdam he worked freely, without being controlled by the church or the court. An unusual lifestyle for an 18th-century composer – and also an unusual composition?