12 Polonaises Piano Solo 巴赫威廉‧弗利德曼 波洛奈兹 波兰舞曲 钢琴 亨乐版

波罗乃兹舞曲不仅在肖邦和李斯特的时代是一种时髦的舞蹈形式，约翰-塞巴斯蒂安-巴赫的儿子威廉-弗里德曼（Wilhelm Friedemann）已经将这种波兰民族舞蹈推向了顶峰。巴赫的十二首波兰舞曲在他的时代非常流行，以至于这些舞曲在许多手稿中留存下来，这意味着今天的钢琴家们可以欣赏到这些巴赫最成功的钢琴作品。这些乐曲色彩丰富、效果出众，在各个调上呈阶梯式上升，每个调上都并列着一首大调和一首小调的波兰舞曲。这些乐曲敏感而富有表现力，巴赫显然是通过这些波罗乃兹舞曲开始了通往个性乐曲的道路。他很可能是用克莱维奇琴演奏这些乐曲的，克莱维奇琴是这个感性时代最精致、最受欢迎的乐器"

作曲家: Wilhelm Friedemann Bach
校订者: Andreas Böhnert
乐器: Piano
出版社: Henle Urtext Edition
原文简介:
The polonaise was a fashionable dance form not only in Chopin and Liszt's time, for Johann Sebastian Bach's son Wilhelm Friedemann had already brought this Polish national dance to a high-point. His twelve Polonaises were so popular in his time that they survive in numerous manuscripts, meaning that today's pianists can enjoy these most successful of W.F. Bach's piano compositions. Colorful and effective, they ascend stepwise through the keys, with a polonaise in the major and one in the minor juxtaposed in each case. The pieces are sensitive and expressive, and Bach is clearly setting off along the path to the character piece with these Polonaises. He probably played them on the clavichord, the delicate and favoured instrument of this time of sensibility.