12 Fantasias for Flute Solo TWV 40:2-13 泰勒曼 长笛 幻想曲 亨乐版

除了约翰-塞巴斯蒂安-巴赫（Johann Sebastian Bach）的《A 小调帕蒂塔》（HN 457）和他儿子卡尔-菲利普-伊曼纽尔（Carl Philipp Emanuel）的《a 小调奏鸣曲》（HN 555）之外，18 世纪上半叶丰富长笛独奏曲目的主要还有泰勒曼的《12 首幻想曲》。泰勒曼的作品显然对长笛演奏家的世界产生了巨大影响。作曲家于 1727 年出版了他的幻想曲（他甚至可能亲自刻版）。这部作品很快就被视为典范并广为流传。该版本以塔勒曼的印刷品为基础，并在版本中以摹本形式再现。长笛专家雷切尔-布朗（Rachel Brown）提供了有关演奏实践的详细评论"

作曲家: Georg Philipp Telemann
校订者: Marion Beyer
乐器: Flute
出版社: G. Henle Verlag
原文简介:
Aside from the Partita in A minor by Johann Sebastian Bach (HN 457) and the Sonata in a minor by his son Carl Philipp Emanuel (HN 555), it was also mainly Telemann's 12 Fantasias that enriched the solo flute repertoire in the first half of the 18th century. Telemann's cycle evidently had a great influence on the flautist's world. The composer had his Fantasias published in 1727 (he might even have engraved the edition himself). The work was soon considered to be exemplary and caught on. This edition is based on Telemann's print, which is also reproduced as a facsimile in the edition. The flute expert Rachel Brown has provided commentary with details regarding performance practice.