Concerto for Violoncello and Orchestra B minor op. 104 德弗札克 协奏曲 大提琴 管弦乐团 骑熊士版

B 小调大提琴与乐队协奏曲，作品 104，无疑是世界大提琴曲目中最受欢迎的作品之一，也是德沃夏克（1841-1904 年）担任纽约国立音乐学院院长三年期间（1892-1895 年）在美国创作的最后一部作品。作曲家并不特别喜欢将大提琴作为独奏乐器，因为他认为大提琴只有在乐队或室内乐合奏中才能发出美妙的声音，因为它只有中音才是精致的（他曾评论说："在上面它喃喃自语，在下面它隆隆作响"），但有趣的是，他为大提琴写了这首协奏曲，这首作品受到全世界艺术家和听众的真诚和毫无保留的赞美。此书是根据作曲家手稿出版的评论版，也是第一部《安东宁-德沃夏克作品评论全集》的一部分。只有在例外情况下，该版本才使用了更为现代的大提琴记谱法，从低音谱号直接过渡到高音谱号--在这种情况下，大提琴的音色与书写的一样。卡雷尔-索尔克（Karel Solc）对这一版本中作曲家的钢琴改编曲进行了补充和修订。中提琴部分由著名的波希米亚四重奏前成员拉迪斯拉夫-泽伦卡（Ladislav Zelenka）修订出版"

作曲家: Dvorák, Antonín
改编者: Zelenka, Ladislav
乐器: for Violoncello and Orchestra
出版社: Bärenreiter 骑熊士(小熊版)
原文简介:
Concerto for Cello and Orchestra in B minor, Op. 104, is undoubtedly one of the most popular works from the worldwide cello repertoire, and it is the last composition by Dvorak (1841-1904) written in America during his three-year stay when he worked as the director of the National Conservatory of Music in New York (1892-1895). The composer was not particularly fond of the cello as a solo instrument because he was convinced it could only sound wonderful in the orchestra or chamber ensemble, since only its middle pitch was refined (as he once commented: 'up there it mumbles and down there it rumbles'), yet it is interesting to note that he wrote this concerto for the cello, a piece sincerely and unreservedly admired by artists and audiences the world over. This title is a critical edition based on the composer's manuscript and is part of the first Complete Critical Edition of Works by Antonin Dvorak. Only exceptionally does this edition use a more modern method of cello notation for direct transition from bass to treble clefs - in these cases the cello sounds the way it is written. For this edition the composer's adaptation for piano was supplemented and revised by Karel Solc. The violoncello part is published in a revision by Ladislav Zelenka, former member of the famous Bohemian Quartet.