Impromptus op. 90 D 899, op. post. 142 D 935 舒伯特 即兴曲 骑熊士版

1827 年秋，舒伯特创作了八首即兴曲，准备由维也纳的哈斯林格出版全集。当这一计划失败后，舒伯特向肖特提供了他的即兴曲，这些即兴曲可以单独出版，也可以四首一起出版"。这些作品的名称可能源自出版商哈斯林格，舒伯特后来以作品集的形式出版时也使用了这个名称。142. 这些抒情浪漫主义作品适合高年级钢琴学生演奏，具有奏鸣曲乐章的特点。罗伯特-舒曼认为这些作品是四乐章奏鸣曲的一部分，他在评论中提到了迪亚贝利于1839年出版的第二部作品集"

作曲家: Schubert, Franz
校订者: Dürr, Walther
乐器: piano 钢琴
出版社: Bärenreiter 骑熊士(小熊版)
原文简介:
In autumn 1827 Schubert composed eight "Impromptus" for publication as a complete collection by Haslinger in Vienna. When the plan fell through, Schubert offered his "Impromptus" to Schott as pieces which "could be issued individually or all four together”. The name of the works probably originated from the publisher Haslinger and Schubert also used it for his collection published later as op. posth. 142. The lyrical-romantic works are suitable for advanced piano students and have the character of sonata movements. Robert Schumann who regarded them as parts of a four-movement sonata, drew attention to the second collection published by Diabelli in 1839 in his review.

For the first time this scholarly-critical Urtext edition presents the musical text of the "New Schubert Edition" in new engraving and with optimum page-turns. The fingering takes essential aspects of performance practice of Schubert’s time as well as performance on the modern concert grand piano into consideration.

A detailed foreword, suggestions for performance and notes on the evaluation of the primary sources complete the edition.

- Scholarly-critical editions based on the Urtext of the New Schubert Edition, taking all known sources into account

- Newly engraved editions with optimum page-turns

- With fingering and suggestions for performance (Ger/Eng) by Mario Aschauer

- With a detailed foreword (Ger/Eng) and critical commentary (Eng)

Mario Aschauer

studied piano, historical keyboard instruments, conducting and musicology in Linz, Salzburg and Vienna. He performs as a soloist and chamber musician, with groups including the Austrian Calamus Consort, presenting a wide-ranging repertoire on fortepiano, harpsichord and organ.